‘The Nothing’ explores the artist’s own relationship with the people and locations of Kandos and Cementa over time, dating from the first festival in 2013. But ‘The Nothing’ also reacts to a pervasive feeling of undoing, as exemplified by writer Michael Ende in his book The Never-ending Story. As an ongoing series of catastrophic events impact the community, from fire to COVID, the community, like the wider world around it, struggles to adjust to this undoing, this growing emergence of the nothing.
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