The site-specific music performance work States of Suspension (2018) drew on my background as a performer and composer of experimental popular music and graphic designer and photographer. It combined live ensemble improvisation with a soundtrack that featured field recordings, synchronised with animated projections in a spatio-temporal artwork designed to work in conjunction with existing light and sound conditions, performed in the exterior courtyard of the cultural centre. My roles were multiple, as composer, performer, projection designer and producer, as well as event manager and promoter.