as above, so below

project description

The artworks in this space exist as a tangled ecosystem, exploring the mutually dependent web of living and non-living materials - above and below the surface. Water, salt, crystals, metals, mycelium, plant matter, and glass. Artists Stevie Fieldsend, Kath Fries, Gianna Hayes, Owen Leong, and Linda Sok employ the aesthetics of nature through evocative and embodied encounters with organic, earthen materiality. These creative alchemists navigate our integral being, and the interconnectedness of all things. The artists in as above, so below reflect an awareness that we, as humans, are a smaller part of a much larger and infinitely complex system of coexistence and reciprocity within the macrocosm and microcosm. Concerned with the transformation of organic materials through alchemical processes, the artists present nature as both beyond and within our integral humanism; an essential rhythm, where everything is in a state of ebb and flow. Within this gallery space, the artists prompt us to consider cause and effect and the interrelations of our personal and collective rituals and memories. How earthly matter can ground us to enact preservation and healing, and the interconnectedness of our external and internal bodies. The exhibition unfolds within a realm of links and relations, an ecology pollinated with dualities and transmutations; of reactions, of residue; of transience; of generation and degeneration; of malleable, significant matter.

project video

View more projects by Hayley Zena

Cause + Effect

Using existing mathematical theories, which map uncertainty as its foundation – Chaos Theory, Butterfly Effect, Dynamical Systems – Cause + Effect investigates the highly sensitive nature of causal sequences

Tracing the Rupture

Tracing the Rupture explores selfhood and the fractured contexts we experience throughout life

project categories

ACKNOWLEDGMENT OF NGURRA

The City of the Blue Mountains is located within the Ngurra (Country) of the Dharug and Gundungurra peoples. MTNS MADE recognises that Dharug and Gundungurra Traditional Owners have a continuous and deep connection to their Country and that this is of great cultural significance to Aboriginal people, both locally and in the region. For Dharug and Gundungurra People, Ngurra takes in everything within the physical, cultural and spiritual landscape – landforms, waters, air, trees, rocks, plants, animals, foods, medicines, minerals, stories and special places. It includes cultural practice, kinship, knowledge, songs, stories and art, as well as spiritual beings, and people: past, present and future. Blue Mountains City Council pays respect to Elders past and present while recognising the strength, capacity and resilience of past and present Aboriginal and Torres Strait Islander people in the Blue Mountains region.